A beautifully preserved copy with the very rare red ornamental border and an interesting provenance
Appianus Alexandrinus
Historia Romana. De Bellis Civilibus.
Published
1477
Item ID
73409
Sorry, this item is currently not for sale. Please contact us for more information.
Venice, Bernhard Maler (Pictor), Erhard Ratdolt and Peter Loslein, 1477. Two parts in one. Folio (27.3 x 20.4 cm). 343 [211, 132] leaves: a-c10 (no blank f. a1) d12, e10-x10 and a-i10 (with blank f. a1) k-m8 o 10. Early 17th-century full vellum. Spine with three raised bands and script title in an old hand. Edges speckled red.
Famous incunabulum, one of the first books that appeared with woodcut ornaments: the borders for both the Historia Romanaand De Bellis Civilibus are an intricate pattern of vines and acanthus leaves, the first here printed in red, a rare process seen only in a very few copies. Usually, these ornaments are simply printed in black. Also, this is the first book with ornaments on a black background, including the large initial on the first page. Contents-wise, this is the first complete edition of the surviving portions of Appian’s Roman History, written in Greek and translated into Latin by the humanist Petrus Candidas Decembrius [Decembrio]. A previous edition (BMC V, 160), printed in Venice in 1472 by Vindelino de Spira and published just a few months earlier, presents only the first part. A most esteemed impression for its typographic elegance, its woodcut ornaments, its excellent quality paper and the intensity of its inks. The xylographic borders are the first to appear in a printed book and were the work of Bernhard Maler. These borders, normally printed in black, can be found, very rarely, printed in vermilion as in our copy. A typographic curiosity is added to this impression, because the last 11 lines of f. c1 verso and the recto of c2 are left blank: this to imitate a lack in the original manuscript. “Appian of Alexandria (ca. 95-ca. 165) was a Greek historian with Roman citizenship who flourished during the reigns of Emperors of Rome Trajan, Hadrian, and Antoninus Pius. He was born in Alexandria. After holding the chief offices in the province of Aegyptus (Egypt), he went to Rome c. 120, where he practised as an advocate, pleading cases before the emperors (probably as advocatus fisci). It was in 147 at the earliest that he was appointed to the office of procurator, probably in Egypt, on the recommendation of his friend Marcus Cornelius Fronto, a well-known litterateur. Because the position of procurator was open only to members of the equestrian order (the ‘knightly’ class), his possession of this office tells us about Appian’s family background. His principal surviving work ( Ρωμαϊκά Romaiká, known in Latin as Historia Romana and in English as Roman History) was written in Greek in 24 books, before 165. This work more closely resembles a series of monographs than a connected history. It gives an account of various peoples and countries from the earliest times down to their incorporation into the Roman Empire, and survives in complete books and considerable fragments. The work is very valuable, especially for the period of the civil wars. T he Civil Wars, books 13-17 of the Roman History, concern mainly the end of the Roman Republic and take a conflict-based view and approach to history. Despite the lack of cited sources for his works, these books of the Roman History are the only extant comprehensive description of these momentous decades of Roman history.
read more
” (Wikipedia). The translator’s division of the extant books into two parts differs slightly in its order from the Greek originals. Leaf numbering is [a-c 10 (a1 blank discarded, as usual) d12, e10-x10; a-i 10 (a1 blank) k-m 8, o10]. a2r is the translator’s dedication to Pope Nicholas V. The blank 11-line space on c1v and all of c2r in part 1 was left by the printers to indicate a gap in the extant manuscripts. “The partnership of the printers Erhard Ratdolt and Bernhard Maler and the corrector and editor Peter Loslein lasted from 1476 to 1478. The exceptional beauty of the books printed at their press is characterized by the use of a series of very fine woodcut borders and initials along with a strikingly clear and pleasing roman type. Although traditionally credited to Ratdolt, the design of the woodblocks and possibly of the type is more likely to have been the work of Bernhard Maler who was in charge of the press. When Ratdolt set up his own press in 1480, he apparently brought only one of the border blocks with him, the one that appears in part II of the present work, which he used again for the 1482 Euclid. The border used in part I appears in this edition only ... Yet another innovation by Ratdolt was the way woodcut borders and initials were used as design elements. These decorative features included naturalistic forms inspired by western antiquity and patterned forms derived from eastern Islamic cultures. Bernhard Maler is assumed to be the designer of Ratdolt’s borders. Both fine-line ornaments and reversed designs were used; sometimes these were printed in red ink” (Meggs-Purvis). Provenance: inscribed on the last text page blank verso by the Venetian senator Angelo Gabrieli (1470-1532), senator of the Republic of Venice and one of the members of the prestigious "Accademia Aldina". The Academy founded in 1490 in the house of Aldus, was the nerve center of humanist Venice. Presided over by Musurus, his illustrious acolytes were Pietro Bembo, Erasmus, Andrea Navagero, Leonardo Sanudo, Lascaris, Girolamo Fracastoro, Ramusio, Daniele Renieri. A great friend of Bembo and Aldus, the latter dedicated to him the introduction to the Greek Grammar of Constantine Lascaris printed in Venice in 1495, while Bembo did the same on the publication of his collection Etna. We have found only two works printed in Gabrieli's name: Oratio magnifici ... in laudem rev. Card. Bapt. Zeni (1501) and a little-known 16 pp. treatise Libellus hospitalis munificentiae Venetorum in excipienda Anna regina Hungariae (1502). "Anna of Foix-Candale (1484-1506) was Queen of Hungary and Bohemia as the third wife of King Vladislaus II. She incurred debts in Venice and was said to favour this city all her life" (Wikipedia). Gabrieli's manuscripts are kept in the library of the Camaldolese Brothers in Murano. Inscribed in brown ink “Angeli Gabrielis et amicorum”. Some marginalia in his hand in either red or brown ink. Slight wear to spine ends; first ornament border ever so slightly shaved at the top, a few leaves with minimal marginal spotting but generally remarkably clean: a wonderfully preserved copy. BMC V, 244; Essling, 221; GW 2290; Hain, 1307; IGI, 763; Meggs-Purvis, History of Graphic Design p. 10; Redgrave, Ratdolt p. 28 n° 3; Sander, 482.
read less
Very flexible return policy
Secure payments by Adyen
Sent in 2 business days with Track & Trace
We are members of ILAB-LILA and NVvA
