Marvelous copy of a beautifully illustrated work

Méheut, M.

Étude de la Mer. Faune et Flore de la Manche et de l'Océan.

Published 1924
Item ID 77417
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Paris, Albert Lévy. Librairie des Beaux-Arts, 1924. Two volumes in two. Folio. Half-titles and title pages with floral vignette; 416 pp. ([iv], 208, [v]; 199); 50 full colour plates (22; 28), numerous tinted text illustrations (many page-sized). Uniform original printed cloth. Blue endpapers.

A rarely seen and much sought-after work by the French designer and illustrator Mathurin Méheut (1882-1958). "Méheut was born into a family of artisans in Lamballe, Brittany, and apprenticed to a house painter before entering the École des Beaux-Arts de Rennes in 1898, from which he graduated at age 20. He then attended the École nationale supérieure des arts décoratifs in Paris, working for the revue Arts et Décoration to finance his studies. In 1906 he exhibited with the Société des Artistes Français. From 1910 to 1912 Méheut collaborated with naturalists at the Roscoff marine biology station to depict marine life. This period culminated in a book ( Etude de la Mer, Flore et Faune de la Manche et de l’Océan) [this work] and 450 works exhibited at the Musée des Arts Décoratifs in 1913. In 1914 he was awarded a travel scholarship by the Foundation Albert Kahn for visits to Hawaii and Japan in 1914, but his trip was cut short by World War I. In 1921 Méheut became the French Ministry of Defence's official painter and in 1925 began decorating commercial passenger ships, including the SS Normandie. Between world wars, he illustrated books for authors including Colette, Maurice Genevoix, and Pierre Loti, and created ceramics at Henriot in Quimper, at the Manufacture nationale de Sèvres, and at Villeroy & Boch in Sarre. During the 1940s he taught at the École des Beaux-Arts de Rennes, served as decorator for the Institut de Géologie de Rennes, and completed his celebrated illustrations of Florian Le Roy's Vieux métiers Bretons. The Musée Mathurin Méheut in Lamballe, created in 1972, preserves his work" (Wikipedia). This work deals with the marine fauna and flora of the French Atlantic coast, and in particular of the English Channel. The fine illustrations show scenery, fish, and seaweeds (Volume I), and molluscs (mussels, sea snails, squid, octopi), crustaceans (crabs, lobsters), echinoderms (starfish, sea urchins), etc. (in Volume II). The text was written by the French designer and illustrator Maurice Pillard Verneuil (1869-1942), one of the foremost French Art Nouveau artists. It shows that Verneuil could rely on a thorough biological knowledge which on many occasions was of use for his own nature-based artwork. Provenance: With a pictorial, architectural bookplate of Anthony Heinsbergen (1894-1981). "Heinsbergen was an American muralist considered the foremost designer of North American movie theatre interiors. Born Antoon Heinsbergen in Haarlem (the Netherlands), he emigrated with his family to the United States in 1906 where they settled in Los Angeles. Heinsbergen began painting while still a boy; and, as a young man he worked as an apprentice painter and was one of the first students to take formal training from Mrs. Nelbert Chouinard at her Chouinard Art Institute in Los Angeles. His area of interest in which he developed a renowned expertise was the painting of murals and in 1922 he went into business for himself. read more
He was successful in obtaining a few commissions out of which he earned considerable recognition that led to a number of major contracts in and around Los Angeles most notably with the Hollywood Roosevelt Hotel, the Beverly-Wilshire Hotel and in 1928 a municipal government contract for the new Los Angeles City Hall. During this time, his work came to the attention of theatre mogul Alexander Pantages who hired him to work on one of his buildings. The praise he received for this work opened the doors to jobs at more than twenty Pantages theatres and helped Heinsbergen become a major national contractor for theatre murals. Heinsbergen's company grew to employ more than one hundred and eighty decorative painters involved with a wide variety of wall and ceiling murals for corporate offices, churches, synagogues, civic auditoriums, libraries, and other ornate structures of the era. However, the Heinsbergen name is mainly linked to his theatre murals as a result of the more than seven hundred and fifty he created throughout North America during the theatre industry's period of rapid growth. High-profile work of this type includes murals for the Wiltern Theatre, the Oakland Paramount Theater, the Warner Grand Theatre in San Pedro, California, and the United Artists flagship theatre in downtown Los Angeles, plus the vaulted ceiling of the city's Park Plaza Hotel which can be seen in the opening sequences of the 1990 David Lynch film Wild at Heart" (Wikipedia). Second edition (first 1913-1914), unaltered save for some corrections. Both editions are rare. This set without the usual foxing. Small defect to first front board; small, marginal stain to one plate; otherwise, excellent, near mint set, which is rarely the case. Cat. BM(NH) Supplement, p. 1364 (under Verneuil); Nissen ZBI, 2769. read less

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